SvN Archives | Arlekin Players Theatre https://www.arlekinplayers.com/tag/svn/ An international theatre collaborative. Mon, 30 Aug 2021 18:53:29 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 https://www.arlekinplayers.com/wp-content/uploads/2017/02/cropped-site-icon-32x32.jpg SvN Archives | Arlekin Players Theatre https://www.arlekinplayers.com/tag/svn/ 32 32 State vs Natasha – New York Times (Critic’s Pick) https://www.arlekinplayers.com/state-vs-natasha-new-york-times-critics-pick/ Wed, 05 Aug 2020 13:20:00 +0000 https://www.arlekinplayers.com/?p=8814 Below are excerpts from the New York Time’s Critic’s Pick review, praising State vs. Natasha Banina.  We thank them for their review, and we have attached its full article link below. “The Boston-based Arlekin Players Theater’s digital production of “State vs. Natasha Banina” reimagines the utility of the medium beyond everyday office meetings and virtual […]

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Below are excerpts from the New York Time’s Critic’s Pick review, praising State vs. Natasha Banina.  We thank them for their review, and we have attached its full article link below.

“The Boston-based Arlekin Players Theater’s digital production of “State vs. Natasha Banina” reimagines the utility of the medium beyond everyday office meetings and virtual happy hours, using graphics, animation and other interactive elements to create a captivating theatrical experience.

“The immersive production, directed by Igor Golyak and starring Darya Denisova, is based on “Natasha’s Dream,” by the Russian playwright Yaroslava Pulinovich. Before it starts, an announcement sounds: “By joining us today, you have self-selected to be part of our trial.”

“But, clearly, this is no typical trial: At the performance I watched, more than a hundred participants peered into their computers from their homes across the U.S. to hear the testimony of Natasha Banina (Denisova), a Russian teenage orphan being tried for manslaughter. Natasha nonchalantly describes her time in the orphanage, among girls who bully one another and supervisors who seem not to care. But Natasha wants more; she had a dream, she tells us, repeatedly, with desperation.”

Read more from the NYT Critic’s Pick review of Natasha here

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